Thursday

Jane Mowder Shines in 'SMART PEOPLE'


Acting in Columbus Alumni/Columbus Based Actress, Jane Mowder shines in her supporting role in 'SMART PEOPLE' now playing at a theatre near you.
SYNOPSIS: Cranky lit professor Lawrence Wetherhold (Dennis Quaid) is a domineering spoilsport whose thoughtless antics drives away his son James and transform his teenage daughter Vanessa into an angrily anti-social teen. Wetherhold's gloomy outlook is called into question when a former student, Janet re-enters the picture. The romantic comedy features Dennis Quaid, Thomas Haden Church, Sarah Jessica Parker, Ellen Page, and Camille Mana.
'Smart People' TRAILER:



Sunday

First Look at HOMECOMING starring Mischa Barton

HOMECOMING Starring Mischa Barton, which wrapped shooting in Pittsburgh last January has posted a trailer - Here's a Sneak Peek!
SYNOPSIS: When Mike (Matt Long) returns to his hometown with his new girlfriend Elizabeth (Jessica Stroup), they are welcomed with open arms from everyone, except for Shelby (Mischa Barton) who still thinks she's Mike's true love. When Shelby tries to make a move on Mike, and finds out Mike has another girlfriend - she cracks. Shelby hits Elizabeth with a car one night, and holds her hostage in her home, as Mike looks for his girlfriend and tries to stop his ex from doing the unthinkable to her.



Donna Belajac Casting handled principal and extras casting for this thriller which shot in the Pittsburgh area in December and January. Here are the actors we cast in principal parts in the film:
Robert Haley - Lloyd Christenson
Phil Winters - Mr. Donaldson
Denise DalVera - Mrs. Donaldson
David Flick - Coach
Hunter Seagroves - Eddie
Bingo O'Mally - Elderly Proprietor
Marty Terry - Elderly Proprietor's Wife
Amanda Cooper - Aleisha
Joshua Elijah Reese - Billick
Allen Williamson - Adams
Alex Hooper - Jablonski
Nick Pasqual - Posse Member
Joe Forgione - Posse Member

The last five actors on the list were hired as featured extras and the director was so happy with them, he upgraded them to speaking parts! Congratulations and thanks to everyone who worked on the film, including stand-ins: Michele and Angela Geisler, Drew Levinson, Paula Bellin, Tony Druessi, Kevin Tammaro and all 275 extras!

Thursday

CASTING ALERT! "Two Doors Down"

"Two Doors Down" created by Louie Cowan & Scott Summitt

Two Doors Down" is a comedy project done in the improvisational style of Curb Your Enthusiasm, Ten Items or Less and the movies of Christopher Guest. The series of 4 x 15 minute episodes will be created as a broadcast TV pilot and/or webseries situation comedy.

Click on this link for a character breakdown and more details: www.redkeyproductions.com/twodoorsdown

AUDITIONS: FRIDAY May 2, 2008 2008 3pm - 6pm - SATURDAY May 3rd 2008 1pm - 5pm and SATURDAY May 10th 2008 1pm - 5pm

LOCATION: Heyman Talent Agency - 1216 S. High Street, Columbus, OH

CONCEPT: Kevin Stone and Jennifer Harris are two divorced parents, who compete, in their own starkly different styles, for the love of their shared child, Daniel. When Daniel gets a position in a good school, Kevin and his young girlfriend move into Jennifer's trendy liberal neighborhood, finding a house just two doors down from where she lives with her new husband. Their different ideas about parenting cause all kinds of friction between them as they are forced to work together in raising their son. Who knows what lengths people will go to when the one who drives you crazy lives only two doors down.

The Casting Process in Action by Joshua Siegel


Many new actors have misconceptions about how the casting process works. To alleviate some of this confusion, here is a hypothetical example of how a guest-starring role on an imaginary daytime drama may be cast. The producers of the soap opera "Secret Lovers" have just gotten the script for one of next month's episodes. In this particular episode is a new character named "Lisa", a scheming young woman who will seduce the series star.

The producers call the Casting Director that they have used for years and describe the character of Lisa. The CD already has in mind a few actors she has seen before for the role, but submits a "Breakdown" which is a written description of the character to the agents. The next morning, every agent reads the "Breakdowns", a publication that lists every role that is currently being cast. The agent goes through his files, searching for clients who would be right for "Lisa". He/she selects several photos and sends them to the Casting Director.The Casting Director receives envelopes from all these agents and must go through hundreds of photos looking for the right "Lisa". Even if a photo looks great, the CD will still turn it over to look at the resume on the back and see what other work the actor has done.

Finally, she narrows it down to about thirty attractive female actors and calls their agents to arrange an audition. The agent calls his client and tells her about the audition. He may either send her the "sides" (a sample script to be read at the audition) or have her come to his office to pick them up. The actor goes to the audition (probably quite nervous) dressed as she thinks "Lisa" would dress. She has prepared for the audition scene for several hours, getting the character just right. Now all she has to do is sit quietly with several other "Lisa" wannabes until it's her turn to audition. She doesn't waste time gossiping with the other actors, but instead uses the time to go over the lines and get into character. The actor is called into the audition room and prepares to audition for Casting Director and her assistant. The actor has read for this CD before, so they talk and catch up for a moment before beginning the scene. Then the Casting Director's assistant does the scene with the actor, reading the other character's lines.The actor performs brilliantly, bringing a touch of vulnerability to Lisa's scheming nature. The Casting Director watches her performance closely, noticing everything.

Most of the actors she has see so far today were rather bland and predictable, so she's quite pleased with the performance. After the reading, the Casting Director thanks the actor and asks for another copy of her headshot and resume. The actor gives them to her, smiles, then walks out past all the other actors still waiting for their chance to read. The actor goes home, not too hopeful. She has done several other auditions this week, with no response. But the next day, her agent calls and says that they want to see her again. A "callback" is the industry term for another audition for a role. For a major role or a national commercial, you may have to do several callbacks before you know if you've gotten the part.

The Casting Director has narrowed down the hopefuls to about ten, and she sees each of them again. The actor returns in the same outfit she wore the the first audition and does her performance the exact same way. The CD is pleased with the performance, but asks the actor to do the scene differently, maybe "a little lighter". She doesn't do this because she didn't like the first way, but because she wants to see if the actor can take direction well. The second performance is even better than the first, and the Casting Director shakes the actor's hand when she's done. She's pretty sure she has found her "Lisa".

That night, she shows the producers of the show a videotape of the performance. "No," they say, "We've decided that Lisa should be a blonde."Yup, sometimes that's the way it goes. You can lose a part because you're the wrong height, hair color, or because the producer's niece wanted the job. But Casting Directors will remember a good actor...A month later, the actor gets a call from her agent. The people from "Secret Lovers" are producing a new show called "Lovers Lane" and they want the actor to come in to read for the starring role of the new series. This is the way careers are made. You may not get every role you try out for, but if you do your best and behave like a professional, people will remember you and want to work with you. So work hard and be the best actor you can be. You'll get your big break soon enough.

CRAFT NOTES by ED HOOKS

Definition of Acting
Sanford Meisner, in his book "Meisner on Acting", defines acting as "behaving believably in pretend circumstances." That's pretty good, but I would go further. A better definition would be: "Acting is behaving believably in pretend circumstances -- for a theatrical purpose." (Brechtian theater excepted.)
Modern acting training is focusing too much, in my opinion, on emotional truth and honesty in the moment, and not nearly enough on the audience/actor relationship. We must not forget that, before movies and television, there was stage. And before stage, there was ancient Greece and the worship of Dionysus. When Thespis stepped out from that chorus, actors and audience were eyeball-to-eyeball, and everybody knew what they were doing in the amphitheater.
As we approach the turn of the century, the audience is disappearing behind television and computer screens and into darkened movie houses. Many new actors today have never even seen a play, let alone acted in one. For them, acting equates to behaving believably in front of a camera. Well, yes, but for what purpose? Where's the audience? What's the point? Is acting all about "me, me, me" and how I look in front of the camera? Or is it about "you, you, you" and what the audience perceives?
I vote for a combo-pack. Acting is about US, the human family, the things we have in common. Acting is an interpretative art, like music and sculpture, and actors are artists who speak of how we can live successfully in this world. As we edge toward the year 2000, actors should look back 2,000 years. Examine our beginnings. We are in the grand tradition of shamans, healers, spiritual leaders.

On-Camera Workshop - Introduction to Acting for the Camera


On-Camera Workshop - Sunday June 22, 2008 1pm - 7pm

Learn how to audition for and break into the Local and National TV commercial, Voice-over and industrial industry.

If you already have an agent but want to increase your "Bookability" this workshop will give you the edge over your competitors!

This workshop will give you:

• Experience with the actual audition process: You'll work on-camera all day doing both prepared and cold readings, and receive plenty of feedback from instructor Richard Mason
• Script analysis skills: We have written our own textbook that breaks this process down and makes it simple
• Comfort in front of the camera: How do you stand? How do you hold the script? How do you deal with your partner and the camera at the same time? What is a slate? What do you do with your hands?
• Practice at doing all types of commercials: Scene work, improv, one-liners, bite and smiles, handling products, etc.
• How to get started: This is our "Intro to the World of Camera Acting" class. It includes our "How Does This Business Really Work?" Seminar.

You will learn how to make the first contact with the agents, and all the follow-ups you will need to "Break In". You'll also learn how to market to the casting directors, all about pictures and resumes, how the unions work, etc.

By taking this class you have the opportunity to show the agents that you are serious about pursuing this type of work. It also allows them to be more confident in submitting you, because they know you'll be able to handle yourself in front of the camera. Being a good commercial actor requires many things, including strong acting skills, a solid work ethic, and lots of hard work. This class is a good first step toward acquiring those things and being successful.

This Workshop is limited to 12 students. As of June 14, 2008 there are six (6) slots available. Click on this link to register: http://actingincolumbusdregistrationform.blogspot.com/

CLICK ON THE VIDEO PLAYER BELOW TO SAMPLE EIGHT LOCAL, REGIONAL AND NATIONAL COMMERCIALS FEATURING ACTING IN COLUMBUS STUDENTS, STAFF AND ALUMNI